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supporting scottish music home shop visit our shop stocking your release stocking your release 2009 + 2010 charts 2010: top 20 albums 2010: top 10 singles / eps about consultancy avalanche recommends emily scott edinburgh school for the deaf the filthy tongues there will be fireworks star wheel press quickbeam olympic swimmers withered hand meursault / supermoon the savings and loan ballboy laurie cameron hamish james hawk the scottish enlightenment trapped mice the last battle eagleowl rob st. john cancel the astronauts randolph’s leap the second hand marching band kid canaveral kevin macneil/willie campbell the gothenburg address the wrong boyfriends tv21 – a thin red line + more on double vinyl a year on from the only fun in town @ fruitmarket gallery links avalanche twitter tv21 and scars vinyl update just a quick update on the tv21 and scars vinyl. while the scars vinyl had already been approved it later became part of a bigger application to include a three cd box set too. most of that has been approved by the band but any extra bits need approval from universal who work more slowly on these things and it has taken longer than expected. none of this would be possible without the help of cherry red who deal with everything and they will manufacture the vinyl and then pass it on to myself. having said that i do have contacts with universal myself so have emailed them asking if matters can be finalised. as soon as we hear from universal we can then see how it fits into the cherry red scheduling and i can give out a new date. logistically it made sense to promote the tv21 and scars albums together and i have offers for worldwide distribution promoting both albums. hence the tv21 album has been caught up in the delay. thankfully everybody who has asked is just pleased these albums are coming out on vinyl and not concerned about any delays. believe it or not there is a third album under discussion that will make a lot of people very happy indeed but nothing can be said as yet. anybody who has placed an order and not asked already should get an email this week with this update. cheers kevin avalanche hiatus to hopefully end soon at the moment i mainly work on the scot pop centre and as avalanche sell online to bring in what income i can. i’ve used up all my own funds and sold a lot of my own collection to keep things going sure that at the latest something would be settled by now. i was wrong ! the large vinyl collection i was given to sell recently bought me a couple more months but now i need to make that side of things more permanent. avalanche’s reputation as an indie shop supporting all new music but especially scottish music goes back decades but these last couple of months selling not just collectable stuff but also good quality regular used vinyl and cds has been more enjoyable than i expected with only the occasional idiot and we’ve built up quite a following in that area too. as i’ve said selling new releases are lost to me now and that is fine so long as i’m not wasting time competing with the direct to fan model. reaching new people was always the best part and i’m really looking forward to seeing how that works out in partnership with waterstones on princes street. we will initially be supplying them with albums from 20 scottish artists that we think their customers will appreciate and looking to attract new fans from their large footfall rather than the current trend of mostly targeting an established fan base. what i need to do now is find a space in the city centre to base myself. i say space rather than shop because realistically all i need is a secure space that can be accessed by the public. not i should add one of these places that sells online and says you can visit but it will be a space i can work from and people can visit for whatever reason. it will be laid out like a shop for sure but not with a full on shop ethos. i’m amazed how often people buy something online and then leave a message saying they used to come in the shop when they were a student but have since moved away. they have such good memories and often recall the bands they discovered at avalanche or the gigs we recommended they go to. sadly those days will never return and i do get asked a lot if it is not possible in these days of “experiential” selling to bring back that vibe but unfortunately everything is stacked against that now. there was a period when we still did what we did but with far less sales as people could just go away and listen for free and buy online. once the direct to fan sales kicked in for new releases that time was over. so for now the emphasis will shift back towards selling stuff and working on the scotpop centre will be something i do when i can and have the time. many may not even notice a difference as social media will not be affected too much i suspect. certainly if i had just kept on with the shop and worked on the idea of the centre when i could i would never have reached the point i have now. the few people who know how much we have ready to go appreciate the work that has gone on unseen and of course unpaid. so the first big push will be to find somewhere and i’m hoping people will come forward with ideas for spaces or buildings and preferably people who own or have rights over the space. edinburgh council have failed to come up with anywhere in four years and if you do find something they say they have to offer it to everybody. if i had got a council gallery or museum space then obviously the focus would have been different but for now the plan is to have a physical presence and shift the emphasis back to avalanche until such time as the centre is up and running but not set any deadlines for that. as always i can be contacted using [email protected] what the scotpop music exhibition centre will include and funding when i first spoke to the museum about rip it up i was keen to know how they would define scottish pop music as that would be a definition i would have to live by too. i was relieved to hear that dance and folk would not be covered as that was also my feeling. there would be plenty of artists that would cross into the scottish pop arena but as a genre both could easily have their own exhibitions. as it turned out rip it up made a nod to dance with optimo and the fini tribe which looked like the token gesture we had discussed not occurring. a band like the shamen certainly crossed over and as with the folk artists the museum included if it is in the context of scottish pop then they do fit the criteria. you can tell what a minefield it is when in the four bbc radio programmes that accompany rip it up dance gets a whole show and folk is barely mentioned. scotpop mec will have a lot more input from photographers, journalists and the magazines of the time. venues, clubs and shops were also so important to the scene in any decade and of course artwork from the record covers to the t-shirts, badges and posters were an integral part of defining a band on top of their music. all of this will be covered extensively and material has already been sourced. dave thomas (dlt) has done many covers for scottish bands following in the footsteps of david band and the cloth who did artwork for aztec camera, altered images, the bluebells, bourgie bourgie and friends again among others anybody who follows on social media will already have an idea of what i mean and what has already been sourced. it was great to see the rezillos costumes they wore on top of the pops, some interesting guitars and awards but generally i think we would look to have less of that than the museum. i even have access to live recordings that have never been heard and i need to work out how they can be used. the help from all involved from the sixties onwards has been fantastic and i have offers of professional help to both create and promote the exhibition. which brings us to funding. one of the regular suggestions just recently has been that i should se

URL analysis for avalancherecords.co.uk

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Whois Information

Whois is a protocol that is access to registering information. You can reach when the website was registered, when it will be expire, what is contact details of the site with the following informations. In a nutshell, it includes these informations;

Domain name:
avalancherecords.co.uk

Registrant:
Kevin and Julie Buckle

Trading as:
Avalanche Records

Registrant type:
UK Partnership

Registrant's address:
Avalanche Records, 5 Grassmarket,
Edinburgh
EH1 2HY
United Kingdom

Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 16-May-2013

Registrar:
123-Reg Limited t/a 123-reg [Tag = 123-REG]
URL: http://www.123-reg.co.uk

Relevant dates:
Registered on: 12-Jan-2004
Expiry date: 12-Jan-2018
Last updated: 05-Jan-2016

Registration status:
Registered until expiry date.

Name servers:
ns1.bell.unitedhosting.co.uk
ns2.bell.unitedhosting.co.uk

WHOIS lookup made at 18:59:35 02-Nov-2017

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  REFERRER http://www.nominet.org.uk

  REGISTRAR Nominet UK

SERVERS

  SERVER co.uk.whois-servers.net

  ARGS avalancherecords.co.uk

  PORT 43

  TYPE domain

OWNER

  ORGANIZATION Kevin and Julie Buckle

TYPE
UK Partnership

ADDRESS
Avalanche Records, 5 Grassmarket,
Edinburgh
EH1 2HY
United Kingdom
Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 16-May-2013

DOMAIN

  SPONSOR 123-Reg Limited t/a 123-reg [Tag = 123-REG]

  CREATED 2004-01-12

  CHANGED 2016-01-05

STATUS
Registered until expiry date.

NSERVER

  NS1.BELL.UNITEDHOSTING.CO.UK 212.113.135.155

  NS2.BELL.UNITEDHOSTING.CO.UK 72.249.150.129

  NAME avalancherecords.co.uk

DISCLAIMER
This WHOIS information is provided for free by Nominet UK the central registry
for .uk domain names. This information and the .uk WHOIS are:
Copyright Nominet UK 1996 - 2017.
You may not access the .uk WHOIS or use any data from it except as permitted
by the terms of use available in full at http://www.nominet.uk/whoisterms,
which includes restrictions on: (A) use of the data for advertising, or its
repackaging, recompilation, redistribution or reuse (B) obscuring, removing
or hiding any or all of this notice and (C) exceeding query rate or volume
limits. The data is provided on an 'as-is' basis and may lag behind the
register. Access may be withdrawn or restricted at any time.

  REGISTERED yes

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